Tuesday, June 18, 2013

Blog Tour: Blood Drama by Christopher Meeks

Welcome to The Wormhole and another stop on the tour.
It is still my pleasure to feature:
Blood Drama and Christopher Meeks.
Publisher: White Wiskers Press (June 15, 2013)
Category: Mystery/Thriller/Suspense, Crime Thriller
Available in: Print & eBook, 242 pages

Everyone has a bad day. Graduate student Ian Nash has lost his girlfriend in addition to being dropped from a Ph.D. program in theatre at a Southern California university. When he stops at a local coffee shop in the lobby of a bank to apply for a job, the proverbial organic matter hits the fan. A gang of four robs the bank, and things get bloody. Ian is taken hostage by the robbers when the police show up. Now he has to save his life.

FBI Special Agent Aleece Medina’s analysis of the bloody bank heist drives her into the pursuit of a robbery gang headed by two women. She doesn’t anticipate how this robbery will pit her against both the bandits and the male higher-ups in the FBI while the media heats up during a giant manhunt.

The robbers are about to kill Ian, and all he has at hand is his knowledge of the stage.


Interview:
 How long does it take you to write a book?

It takes about six months to write a draft of a novel, and then it needs to sit around without me looking at it for about six months so that I can get back to it with some objectivity. Then it takes about another six months. That’s the fastest. All three of my novels really took three or more years before I was done. However, if I’m not rewriting, I can be writing a first draft.

 What would you say is your most interesting writing quirk?

I need to chew wintergreen gum and yell really loudly the word “Minneapolis.” (Not really, but this question seems ripe for this.) Actually, I get so involved in writing that I don’t see my body at the keyboard. I’m in the story and not aware of a quirk. Or is that a quirk?

 Where do you get your ideas or inspiration for your characters?

My characters tend to be based on people I know or an amalgam of people I know. That’s how I start out, at any rate. The more I work a story, the characters change and find their own life. My friends, other than one, don’t see themselves in my stories, and the one that does now likes using that character’s name, “Sagebrush.”

 How do you decide what you want to write about?

In high school, I was probably like you and many of your readers. I got by. My English classes were okay, but I was as confused as many students were reading short stories by Ernest Hemingway, James Joyce, and nearly anyone. One thing that stayed with me, though, was that these authors often took experiences from their lives and made stories about them.

I read, for instance, one particular short story by F. Scott Fitzgerald about a couple crossing the ocean on a ship, and the more they fought, the worse the seas became. It had been inspired by a fight Fitzgerald and his wife Zelda had had. At the time, I thought something like, “That’s weird. Why take something from your life when you could write about something cool like robots?”

Thus, years later, when I found myself writing short stories, I wasn’t writing about robots but about life as I saw it. I always took something that had happened to me or someone I knew, and then I’d try to find the “story” in it. How was this incident more than just a toss-away event? How at its core might it be an allegory of something or a microcosm of a bigger issue?

Usually I’d write a draft of a story with no ending or theme in mind. When I finished, I’d ask myself why did I write about this and not something else? Why was my conscious or subconscious mind focused on this? In some ways, I’d try to analyze my story much like a psychologist would. That would help me discover the theme that was organically built in. Once I knew what the story was really about, I could shape the story more. I’d never have a character explain everything. Rather, I want to give an experience that the reader then interprets. The goal is to get the reader to participate. “Show don’t tell” is the axiom.

I’d also write about what was bugging me or bothering me but also things that seemed funny or absurd. I’d have to be far enough from an event to see the humor. I wouldn’t stick to how things really occurred but more how they felt. Emotions require stretching things, and humor needs hyperbole.

This is to say that my stories and novels had revolved around first-hand knowledge. However, with Blood Drama, I wanted to try out a genre, a thriller/mystery. My life wasn’t so exciting as the genre required. However, I used to correct my student papers at a nearby Starbucks inside a bank lobby. It was an elegant place to work, and it let me focus on my students. After about a year of noticing people banking, it struck me: what would happen if someone robbed this bank? I could be in the line of fire, or I could be taken hostage.

I stopped correcting papers there, but it was also the start of my novel. My protagonist, 28-year-old Ian Nash, a graduate student in theatre, is taken hostage in a bank robbery gone awry, and he’ll have to fight for his life.

 What do you like to do when you are not writing?

I like to garden, which is a real surprise as it’s what my grandmother used to do but it always looked so boring. It’s a great way to be physical in the world, though, getting dirt on my hands and getting things to grow—nature’s version of a novel. Plus growing tomatoes is so satifying.

Swimming is a good physical thing I do at the local college. We are human and have to keep the body in shape—especially if you sit at a computer a lot.

I also love photography. Everyone with a phone now shoots pictures, but I like shooting sunsets, landscapes, and people in action. Here are a few:

Fun random questions:
• Dogs or cats? We have two of the former, five of the latter.

• Coffee or tea? Coffee. Writers need coffee

• Dark or milk chocolate? Dark. There is no other.

More About the Author:
ristopher Meeks first published short fiction in a number of literary journals, and the stories are available in two collections, The Middle-Aged Man and the Sea and Months and Seasons. Recently, he’s focused on novels. The Brightest Moon of the Century is a story of a man who yearns for love and success, covering over thirty years—a tale that Marc Schuster of Small Press Reviews describes as “a great and truly humane novel in the tradition of Charles Dickens and John Irving.” His last novel, Love At Absolute Zero, is about a physicist who uses the tools of science to find his soul mate–and he has just three days. Critic Grady Harp calls the book “a gift.” The new novel, Blood Drama, has him edge into a thriller. Meeks also runs White Whisker Books and publishes four authors.


Christopher at the Red Room: http://redroom.com/member/christopher-meeks

Christopher’s Website www.chrismeeks.com

Christopher on Facebook https://www.facebook.com/christopher.meeks1?fref=ts

Christopher on Twitter https://twitter.com/MeeksChris

Giveaway:
International (ebook only) US and Canada (choice: print or ebook)

Monday, June 17, 2013

Blog Tour: Blood Drama by Christopher Meeks

Welcome to The Wormhole and my first stop on the tour for
Blood Drama by Christopher Meeks.
(This virtual book tour is presented by Virtual Author Book Tours)
Publisher: White Wiskers Press (June 15, 2013)
Category: Mystery/Thriller/Suspense, Crime Thriller
Available in: Print and eBook, 242 pages
Everyone has a bad day. Graduate student Ian Nash has lost his girlfriend in addition to being dropped from a Ph.D. program in theatre at a Southern California university. When he stops at a local coffee shop in the lobby of a bank to apply for a job, the proverbial organic matter hits the fan. A gang of four robs the bank, and things get bloody. Ian is taken hostage by the robbers when the police show up. Now he has to save his life.
FBI Special Agent Aleece Medina’s analysis of the bloody bank heist drives her into the pursuit of a robbery gang headed by two women. She doesn’t anticipate how this robbery will pit her against both the bandits and the male higher-ups in the FBI while the media heats up during a giant manhunt.
The robbers are about to kill Ian, and all he has at hand is his knowledge of the stage.

My thoughts:
This story is filled with interesting characters.  Each is designed in a very human way, in which I mean not your perfect make-believe hero and villain.  The plot is well thought out and the storyline is twisty enough to keep you reading.  Christopher Meeks does not bring you the average crime thriller.

Friday, June 14, 2013

Blog Tour: Dragonstone by Paula Millhouse (tourwide giveaway)

This virtual book tour is presented by Bewitching Book Tours.
Click HERE for more tour information.
Welcome to The Wormhole and my stop on the tour.
It is my pleasure to feature Paula Millhouse and Dragonstone.
Paula has joined us for an interview:

 When did you first realize you wanted to be a writer?

I was in my first critique group at age 13.

 How many jobs did you have before you became a writer?
Or, currently have? Tons. I’ve done all sorts of jobs, but this one is my favorite. It’s funny, you know, each job yields material for stories if you simply pay attention.

 How long does it take you to write a book?
The first draft can happen in a whirlwind of as little as a month. Getting it into shape for publication, with revisions and editing, can take as long as six months to a year.

 What would you say is your most interesting writing quirk?
I need total silence to get anything accomplished. And dark chocolate.

 Do you have a routine that you use to get into the right frame of mind to write?
I set a timer and do sprints. I like this approach, and it helps me stay focused.

 Where do you get your ideas or inspiration for your characters?
Photographs, news stories, life experience, other books.

 How do you decide what you want to write about?
Ha, good question. My ideas usually hit me in a fury when my mind is rested, and I’m not concentrating on writing. The characters who won’t leave me alone usually get the most attention.

 What books have most influenced your life?
The Bible, of course. My medical textbooks from college, and my non-fiction writer’s library.

 What is the first book you remember reading by yourself?
Jenny goes to Sea, a delightful fantasy about a kitten who goes on an adventure around the world on a ship.

 What are you reading right now?
I just finished Down By Contact by Jami Davenport

 What do you like to do when you are not writing?
I fly-fish, garden, and love to swing in my hammock and dream up story lines.

 What is your favorite comfort food?
Grits, pasta, really anything with carbs (so bad for me)

 What do you think makes a good story?
Umm…I like thrillers with a romantic twist. I want action and romance mingled in the same story, with a happy ever after at the end, and some steamy scenes liberally sprinkled throughout the story.

 Who would you consider your favorite author and why?
Oh, there’s too many to choose from. I like the pacing of Steven James’s thrillers, and the romance and fantasy of Deborah Harkness’s A Discovery of Witches

Fun random questions:
• dogs or cats? Both
• Coffee or tea? Coffee in the mornings, and tea in the afternoon
• Dark or milk chocolate? Definitely dark chocolate
• Rocks or flowers? Hmmm…depends on the rock – if it was the Dragonstone, I’d definitely take that
• Night or day? Daytime – early morning
• Favorite color? Purple
• Crayons or markers? Markers
• Pens or pencils? Pens
More About the Author:
Paula Millhouse grew up in Savannah, Georgia where Spanish moss whispers tales in breezes from the Atlantic Ocean, and the Intracoastal Waterway. As a child Paula soaked in the sunshine and heritage of cobblestones, pirate lore, and stories steeped in savory mysteries of the south. She’s a member of Romance Writers of America, the Fantasy, Futuristic, & Paranormal chapter, the Mystery/Suspense chapter (Kiss of Death), and a member of Savvy Authors.

In the southern tradition of storytellers, she loves sharing the lives of her characters with readers, and following her muse on the quest for happily-ever-afters in thrilling romantic fiction.

She lives with her husband at the base of the Blue Ridge Mountains with their pack and pride of furry babies.
Website/Blog Address: www.paulamillhouse.com
Twitter Address: https://twitter.com/@pmillhouse
Facebook Address: http://www.facebook.com/authorpaula.millhouse
Goodreads: http://www.goodreads.com/book/show/17915693-dragonstone---a-kingdom-of-chalvaren-romance
Amazon Author Page: http://www.amazon.com/author/paulamillhouse 

Dragonstone

Prequel to A Kingdom of Chalvaren Romance
by Paula Millhouse

Genre: Fantasy Romance
Publisher: Boroughs Publishing Group
Date of Publication: May 12, 2013
Number of pages: 39
Word Count: 15,630

Book Description:
Elf prince Kort Elias journeys to a new world in search of a stolen royal dragon egg and discovers a lost elven princess, a prophecy, and danger; and only true love--and an erotic magic he's never experienced--will set them free.

http://pinterest.com/pmillhouse/dragonstone/  

Giveaway:
a Rafflecopter giveaway

My thoughts:
This is a super fast read.  The story is short, but very worth reading.  You get a feel for the characters straight away and can't help but get emotional.  The storyline is entertaining and complete with an ending that leaves you both pleased and anticipating more.  I am looking forward to reading more from Paula Millhouse.

Thursday, June 13, 2013

Blog Tour: Cold Killing by Luke Delaney

Cold Killing
by Luke Delaney
on Tour May 21st - June 21st 2013
Book Details Genre: Fiction/ThrillerPublished by: HarperCollins/William Morrow PaperbacksPublication Date: 05/21/2013Number of Pages: 448ISBN: 9780062219466Series: 1st in the D.I. Sean Corrigan SeriesPurchase Links:               
Synopsis: After a young man is found brutally murdered in his own flat, DI Sean Corrigan, responsible for one of South London’s Murder Investigation Units, takes on the case. At first it appears to be a straightforward domestic murder, but immediately Corrigan suspects it is much more and it soon becomes clear he is hunting a particularly clever and ruthless serial killer who changes his modus operandi each time he kills, leaving no useable forensic evidence behind...

My thoughts:
Chilling and thrilling, this is a great read.  The author brings a "real life" feel to the story that only adds to the horror of a calculating, cold killer and the battle to catch him.  Well developed characters working and living in almost too realistic setting keeps the pages turning as you grip the edge of the seat for the wild ride that is this tale.  Twisted and twisting, if you love a graphic murder/thriller - this one is for you.

Read an excerpt:

Saturday. I agreed to go to the park with the wife and children. They’re over there on the grassy hill, just along from the pond. They’ve fed themselves, fed the ducks, and now they’re feeding their own belief that we’re one normal happy family. And to be fair, as far as they’re concerned, we are. I won’t let the sight of them spoil my day. The sun is shining and I’m getting a bit of a tan. The memory of the latest visit is still fresh and satisfying. It keeps the smile on my face.
Look at all these people. Happy and relaxed. They’ve no idea I’m watching them. Watching as small children wander away from mothers too distracted by idle chat to notice. Then they realize their little darling has wandered too far and up goes that shrill shriek of an overprotective parent, followed by a leg slap for the child and more shrieking.
I am satisfied for the time being. The fun I had last week will keep me contented for a while, so everyone is safe today.
Chapter 1
Thursday
It was 3 a.m. and Detective Inspector Sean Corrigan drove through the dreary streets of New Cross, southeast London. He had been born and raised in nearby Dulwich, and for as long as he could remember, these streets had been a dangerous place. People could quickly become victims here, regardless of age, sex, or color. Life had little value.  But these worries were for other people, not Sean. They were for the people who had nine-to-five jobs in shops and offices. Those who arrived bleary eyed to work each morning, then scuttled home nervously every evening, only feeling safe once they’d bolted themselves behind closed doors.  Sean didn’t fear the streets, having dealt with the worst they could throw at him. He was a detective inspector in charge of one of South London’s Murder Investigation Teams, dedicated to dealing with violent death. The killers hunted their victims and Sean hunted the killers. He drove with the window down and doors unlocked.
He’d been asleep at home when Detective Sergeant Dave Donnelly called. There’d been a murder. A bad one. A young man beaten and stabbed to death in his own flat. One minute Sean was lying by his wife’s side, the next he was driving to the place where a young man’s life had been torn away.
The streets around the murder scene were eerily quiet. He was pleased to see that the uniformed officers had done their job properly and taped off a large cordon around the block the flat was in. He’d been to scenes before where the cordon started and stopped at the front door. How much evidence had been carried away from scenes on the soles of shoes? He didn’t want to think about it.
There were two marked patrol cars alongside Donnelly’s unmarked Ford. He always laughed at the murder scenes on television, with dozens of police cars parked outside, all with blue lights swirling away. Inside, dozens of detectives and forensics guys would be falling over each other. Reality was different.
Entirely different.
Real crime scenes were all the more disturbing for their quietness—the violent death of the victim would leave the atmosphere shattered and brutalized. Sean could feel the horror closing in around him as he examined a scene. It was his job to discover the details of death, and over time he had grown hardened to it, but not immune. He knew that this scene would be no different.
He parked outside the taped-off cordon and climbed from the isolation of his car into the warm loneliness of the night, the stars of the clear sky and the streetlights removing all illusion of darkness. If he had been anyone else, doing any other job, he might have noticed how beautiful it was, but such thoughts had no place here. He flashed his identification to the approaching uniformed officer and grunted his name. “DI Sean Corrigan, Serious Crime Group South. Where’s this flat?”
The uniformed officer was young. He seemed afraid of Sean. He must be new if a mere detective inspector scared him. “Number sixteen Tabard House, sir. It’s on the second floor, up the stairs and turn right. Or you could take the lift.”
“Thanks.”
Sean opened the boot of his car and cast a quick glance over the contents squeezed inside. Two large square plastic bins contained all he would need for an initial scene examination. Paper suits and slippers. Various sizes of plastic exhibit bags, paper bags for clothing, half a dozen boxes of plastic gloves, rolls of
sticky labels, and of course a sledgehammer, a crowbar, and other tools. The boot of Sean’s car would be mirrored by detectives’ cars across the world.  He pulled on a forensic containment suit and headed toward the stairwell. The block was of a type common to this area of London. Low-rise tenements made from dark, oppressive, brown-gray brick that had been thrown up after the Second World War to house those bombed out of old slum areas. In their time they’d been a revelation—indoor toilets, running water, heating—but now only those trapped in poverty lived in them. They looked like prisons, and in a way that’s what they were.
The stairwell smelled of urine. The stench of humans living on top of one another was unmistakable. This was summer and the vents of the flats pumped out the smells from within. Sean almost gagged on it, the sight, sound, and smell of the tenement block reminding him all too vividly of his own childhood, living  in a three-bedroom, public housing duplex with his mother, two brothers, two sisters, and his father—his
father who would lead him away from the others, taking him to the upstairs bedroom where things would happen. His mother too frightened to intervene—thoughts of reaching for a knife in the kitchen drawer swirling in her head, but fading away as her courage deserted her. But the curse of his childhood had left him with a rare and dark insightfulness—an ability to understand the motivations of those he hunted.
All too often the abused become the abusers as the darkness overtakes them, evil begetting evil—a terrible cycle of violence, virtually impossible to break—and so the demons of Sean’s past were too deeply assimilated in his being to ever be rid of. But Sean was different in that he could control his demons and his rage, using his shattered upbringing to allow him insights into the crimes he investigated that other cops could only dream of. He understood the killers, rapists, and arsonists—understood why they had to do what they did, could interpret their motivation—see what they saw, smell what they had smelled, feel what they had felt—their excitement, power, lust, revulsion, guilt, regret, fear. He could make leaps in investigations others struggled to understand, filling in the blanks with his unique imagination. Crime scenes came alive in his mind’s eye, playing in his head like movies. He was no psychic or clairvoyant; he was just a cop—but a cop with a broken past and a dangerous future, his skill at reading the ones he hunted born of his own dark, haunted past. Where better for a failed disciple of true evil to hide than among cops? Where better to turn his unique tools to good use than the police? He swallowed the bile rising in his throat and headed for the crime scene—the murder scene.
Sean stopped briefly to acknowledge another uniformed officer posted at the front door of the flat. The constable lifted the tape across the door and watched him duck inside. Sean looked down the corridor of the flat. It was bigger than it had seemed from the outside. DS Donnelly waited for him, his large frame filling the doorway, his mustache all but concealing the movement of his lips as he talked. Dave Donnelly, twenty-year-plus veteran of the Metropolitan Police and very much Sean’s old-school right-hand man. His anchor to the logical and practical course of an investigation and part-time crutch to lean on. They’d had their run-ins and disagreements, but they understood each other—they trusted each other.
“Morning, guv’nor. Stick to the right of the hallway here. That’s the route I’ve been taking in and out,” Donnelly growled in his strange accent, a mix of Glaswegian and Cockney, his mustache twitching as he spoke.
“What’ve we got?” Sean asked matter-of-factly.
“No sign of forced entry. Security is good in the flat, so he probably let the killer in. All the damage to the victim seems to have been done in the living room. A real fucking mess in there. No signs of disturbance anywhere else. The living room is the last door on the right, down the corridor. Other than that we’ve got a kitchen, two bedrooms, a bathroom, and a separate room for the toilet. From what I’ve seen, the victim kept things reasonably clean and tidy. Decent taste in furniture. There’s a few photies of the victim around the place—as best I can tell, anyway. His injuries make it a wee bit difficult to be absolutely sure. There’s plenty of them with him, shall we say, embracing other men.”
“Gay?” Sean asked.
“Looks that way. It’s early days, but there’s definitely some decent hi-fi and TV stuff around the place,  and I notice several of the photies have our boy in far-flung corners of the world. Must have cost a few pennies. We’re not dealing with a complete loser here. He had a decent enough job, or he was a decent enough villain, although I don’t get the feel this is a villain’s home.” Both men craned their heads around the hallway area, as if to confirm Donnelly’s assessment so far. He continued: “And I’ve found a few letters all addressed to a Daniel Graydon. Nothing for anyone else.”
“Well, Daniel Graydon,” Sean asked, “what the hell happened to you? And why?”
 “Shall we?” With an outstretched hand pointing along the corridor, Donnelly invited Sean to continue.
They moved from room to room, leaving the living room to the end. They trod carefully, moving around the edges so as not to disturb any invisible footprint indentations left in the carpets or minute but vital evidence: a strand of hair, a tiny drop of blood. Occasionally Sean would take a photograph with his small digital camera. He would keep the photographs for his personal use only, to remind him of details he had seen, but also to put himself back at the scene anytime he needed to sense it again, to smell the odor of blood, to taste the sickly sweet flavor of death. To feel the killer’s presence. He wished he could be alone in the flat, without the distraction of having to talk to anyone—to explain what he was seeing and feeling. It had been the same ever since he was a young cop, his ability to step into the shoes of the offender, be it a residential burglary or murder. Seeing the scene through the eyes of the offender. But only the more alarming scenes seemed to trigger this reaction. Walking around scenes of domestic murders or gangland stabbings he saw more than most other detectives, but felt no more than they did. This scene already seemed different. He wished he were alone.
Sean felt uncomfortable in the flat. Like an intruder. As if he should be constantly apologizing for being there. He shook off the feeling and mentally absorbed everything. The cleanliness of the furniture and the floors. Were the dishes washed and put away? Had any food been left out? Did anything, no matter how small, seem somehow out of place? If the victim kept his clothing neatly folded away, then a shirt on the floor would alert Sean’s curiosity. If the victim had lived in squalor, a freshly cleaned glass next to a sink full of dirty dishes would attract his eye. Indeed, Sean had already noted something amiss.
Sean and Donnelly came to the living room. The door was ajar, exactly how it had been found by the young constable. Donnelly moved inside. Sean followed.  There was a strong smell of blood—a lot of blood. It was a metallic smell. Like hot copper. Sean recalled the times he’d tasted his own blood. It always made him think that it tasted exactly like it smelled. At least this man had been killed recently.  It was summer now—if the victim had been there for a few days the flat would have reeked. Flies would have filled the room, maggots infesting the body. He felt a jolt of guilt for being glad the man had just been killed.
Sean crouched next to the body, careful to avoid stepping in the pool of thick burgundy blood that had formed around the victim’s head. He’d seen many murder victims. Some had almost no wounds to speak of, others had terrible injuries. This was a bad one. As bad as he’d seen.
“Jesus Christ. What the hell happened in this room?” Sean asked.
Donnelly looked around. The dining room table was overturned. Two of the chairs with it had been destroyed. The TV had been knocked from its stand. Pictures lay smashed on the floor. CDs were strewn around the room. The lights from the CD player blinked in green.
“Must have been a hell of a fight,” Donnelly said.
Sean stood up, unable to look away from the victim: a white male, about twenty years old, wearing a T-shirt that was 50 percent soaked in blood, and hipster jeans, also heavily soaked in blood. One sock remained on his right foot; the other was nowhere to be seen. He was lying on his back, the left leg bent under the right, with both arms stretched  out in a crucifix position. There were no restraints of any kind in evidence. The left side of his face and head had been caved in. The victim’s short hair allowed Sean to see two serious head wounds indicating horrific fractures to the skull. Both eyes were swollen almost completely shut and his nose was smashed, with congealed blood crusted around it. The mouth hadn’t escaped punishment, the lips showing several deep cuts, with the jaw hanging, dislocated. Sean wondered how many teeth would be missing. The right ear was nowhere to be seen. He hoped to God the man had died from the first blow to his head, but he doubted it.
The pool of blood by the victim’s head was the only heavy saturation area other than his clothing. Elsewhere there were dozens of splash marks: on the walls, furniture, and carpet. Sean imagined the victim’s head being whipped around by the ferocity of the blows, the blood from his wounds traveling in a fine spray through the air until it landed where it now remained. Once examined properly, these splash marks should provide a useful map of how the attack had developed.
The victim’s body had not been spared. Sean wasn’t about to start counting, but there must have been fifty to a hundred stab wounds. The legs, abdomen, chest, and arms had all been brutally attacked. Sean looked around for weapons, but could see none. He returned his gaze to the shattered body, trying to free his mind, to see what had happened to the young man now lying dead on his own floor. For the most fleeting of moments he saw a figure hunched over the dying man, something that resembled a screwdriver rather than a knife gripped in his hand, but the image was gone as quickly as it had arrived. Finally he managed to look away and speak.
“Who found the body?”
“That would be us,” Donnelly replied.
"How so?"
“Well, us via a concerned neighbor.”
“Is the neighbor a suspect?”
“No, no,” Donnelly dismissed the idea. “Some young bird from a few doors down, on her way home with her kebab and chips after a night of shagging and drinking.”
 “Did she enter the flat?”
“No. She’s not the hero type, by all accounts. She saw the door slightly open and decided we ought to know about it. If she’d been sober, she probably wouldn’t have bothered.”
Sean nodded his agreement. Alcohol made some people conscientious citizens in the same way it made others violent temporary psychopaths.
“Uniform sent a unit around to check it out and found our victim here,” Donnelly added.
“Did he trample the scene?”
“No, he’s a probationer straight out of Hendon and still scared enough to remember what he’s supposed to do. He kept to the edges, touched nothing.”
“Good,” Sean said automatically, his mind having already moved on, already growing heavy with possibilities. “Well, whoever did this is either very angry or very ill.”
“No doubt about that,” Donnelly agreed.
There was a pause, both men taking the chance to breathe deeply and steady themselves, clearing their minds, a necessary prelude before trying to think coldly and logically. Seeing this brutality would never be easy, would never be matter-of-fact.
“Okay. First guess is we’re looking at a domestic murder.”
“A lover’s tiff?” Donnelly asked.
Sean nodded. “Whoever did this probably took a fair old beating themselves,” he added. “A man fighting for his life can do a lot of damage.”
“I’ll check the local hospitals,” Donnelly volunteered. “See if anyone who looks like they’ve been in a real ding-dong has been admitted.”
“Check with the local police stations for the same and wake the rest of the team up. Let’s get everyone together at the station for an eight a.m. briefing. And we might as well see if we can get a pathologist to examine the body while it’s still in place.”
 “That won’t be easy, guv.”
“I know, but try. See if Dr. Canning is available. He sometimes comes out if it’s a good one, and he’s the best.”
“I’ll do what I can, but no promises.”
Sean surveyed the scene. Most murders didn’t take long to solve. The most obvious suspect was usually the right suspect. The panicked nature of the crime provided an Aladdin’s cave of forensic evidence. Enough to get a conviction. In cases like this, detectives often had to do little more than wait for the laboratory to examine the exhibits from the scene and provide all the answers. But as Sean looked around something was already niggling away at his instincts.
Donnelly spoke again. “Seems straightforward?”
“Yeah, I’m pretty happy.” He let the statement linger.
“But . . . ?”

Wednesday, June 12, 2013

Blog Tour: Sora's Quest by Theresa Sheffler - (tourwide giveaway)

This virtual book tour is presented by Enchanted Book Promotions.
Click HERE for more tour information.
Welcome to The Wormhole and my stop on the tour.
It is my pleasure to feature: 
Theresa Sheffler and Sora's Quest.

Author Bio

T. L. Shreffler lives in Los Angeles, CA. She loves diversity, fantasy, romance, iced tea, long walks, philosophy, and thrift store shopping. She recently graduated with a BA in Badass (Creative Writing) and her poetry has been published consecutively in Eclipse: A Literary Journal and The Northridge Review.


Title: Sora’s Quest

Author: Theresa Sheffler
Genre: Fantasy

Blurb:
Sora Fallcrest was born into Nobility. She had it all: money, maids, a fancy estate. But she never expected to be kidnapped.

Abducted from her manor, Sora is plunged into a world of magical races, arcane jewelry and forgotten lore. She finds herself at the mercy of a dangerous assassin, haunted by an even darker past. She yearns for freedom, but he won't let her go -- not when her Cat's Eye necklace is the only thing that can save his life.

But the necklace itself presents a problem. It is an ancient device from the long forgotten War of the Races, and its magic has the ability to steal souls. Can Sora learn to wield its power -- or will the power wield her? (Winner of the SKOW 2006 Best Fantasy Award)

Excerpt:

Context: Sora has been abducted by an assassin and a group of thieves. She tries to escape....

“Don't run,” Dorian repeated to Sora, watching her in alarm.

“Why not?” she balked, already moving back to the treeline. It would be better to run, truly. Even if she was to be taken by an arrow or a knife in the back, at least she wouldn't be traveling with this lying scum. And to think, she had been warming up to him. “You killed my... Lord Fallcrest,” she grunted, her gut churning again. It was difficult to say “my father.” He had been so little a father to her, more like a distant employer or landlord. Still, the tears swelled up again, clogging her throat.

“I don't want to kill you,” Dorian said. But she suddenly noticed the knife glinting in his hand. He held it up, following her gaze, as though trying to prove his good intentions. “You're not a bad sort, Sora. You're quite spirited, for a spoiled Noble. Trust me, I'm not the one you have to be afraid of. Just don't run.”

Sora glared. His words almost won a laugh from her. “Trust you?” she choked. “Trust you? After all you just said? No bloody chance!”

“There are worse people than an honest thief,” Dorian replied earnestly. He actually looked concerned.

“You take me for a fool?” Sora demanded, almost to the treeline. Only a few more feet, and she could dash into the underbrush. “I'll report you to the nearest patrol and have you arrested! You'll be sent to the King's prisons! Murdering Nobility is as good as treason!”

“Like I said, I'm not the one you should be afraid of,” Dorian repeated. Why wasn't he following her into the forest?

“Oh? And who is that? My father's assassin?” she spat.

“Yes.” The voice came from behind her, soft and lethal.

Sora gasped.

Links


www.tlshreffler.com

www.catseyechronicles.com

Amazon (Kindle): http://www.amazon.com/Soras-Quest-Cats-Chronicles-ebook/dp/B007V5XND8/ref=sr_1_1?ie=UTF8&qid=1366405666&sr=8-1&keywords=sora%27s+quest

Amazon (Paperback): http://www.amazon.com/Soras-Quest-Cats-Eye-Chronicles/dp/0985166339/ref=sr_1_1_bnp_1_pap?ie=UTF8&qid=1366405666&sr=8-1&keywords=sora%27s+quest

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Tuesday, June 11, 2013

Spotlight: Possession series by Elana Johnson!

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Today we're here to celebrate the completion of the Possession series by Elana Johnson! 
ABANDON came out on June 4, and I hope you've been participating in the series scavenger hunt! 
Today I'm bringing you one of the stops! Once you know what city in the Association we're visiting today, GO HERE to fill out the form to enter to win today's prize (a series swag package), as well as an overall scavenger hunt prize: signed paperbacks of the entire series, as well as digital copies of the two short stories (REGRET and RESIST) that round out the Possession series + a $50 Amazon gift card.
“Emotion pumps through every scene of this thriller. Given all the urgency and action, the novel’s ending may surprise readers as the heroic adventure turns into a tragic love story.” –School Library Journal
“The end is satisfying in a full-circle way and is set up for a third novel in this world. Some recent dystopian novels with a similar them are the Matched series by Ally Condie and the Delirium series by Lauren Oliver.” –VOYA “A thrilling, fan-pleasing sequel.” –The Deseret News
Available now! The fight for independent thought becomes a matter of life or death in this sizzling and intense conclusion to the Possession trilogy. Your clue for the scavenger hunt today: This city is in the Oceanic Region. And go Grown Up YA where Candice has an exclusive interview with Elana -- and another clue to discover which city in the Association we're visiting! Then be sure to ENTER TO WIN the grand prize signed paperback giveaway + Amazon gift card. To enter the daily swag package giveaway, fill out the Rafflecopter below a Rafflecopter giveaway If you get lost, you can always go to Elana's blog to find your place. Happy hun